Jack White

Jack White (occasionally Jack III White or Jack White III), born John Anthony Gillis on July 9, 1975 in Detroit, Michigan is a Grammy-winning rock musician, singer, and music producer. He started as a part-time musician working with various underground bands in Detroit, while working by day as an upholsterer. He is best known as the guitarist and lead vocalist of the rock duo The White Stripes. His popular and critical success with the Stripes enabled him to work with other renowned artists, most notably Loretta Lynn. He is also one of the members of the rock band The Raconteurs. He was ranked # 17 on Rolling Stone magazine's list, "The 100 greatest guitarists of all time".

Early life

Jack White is the youngest of ten siblings born to Gorman and Teresa Bandyk Gillis, his mother being of Polish origin. His father and mother worked for the Archdiocese of Detroit, as the maintenance man and the Cardinal's secretary, respectively. Jack, like his six brothers, eventually became an altar boy, which landed him a small role in the movie The Rosary Murders, filmed mainly at Holy Redeemer parish in southwest Detroit. At five he taught himself how to play the drums, and as a child was a fan of classical music. Although White grew up near Mexicantown, the lower-middle-class Mexican district of southwest Detroit, his musical preferences were not those of his classmates, who listened to electronica and hip hop. White, as a teenager, was already listening to the blues and 1960s rock that would influence him in the White Stripes, Son House and Blind Willie McTell being among his favorite blues musicians.


White on 60 Minutes in February of 2005In 2005 on 60 Minutes, White told Mike Wallace that his life could have turned out differently. "I'd got accepted to a seminary in Wisconsin, and I was gonna become a priest, but at the last second I thought, 'I’ll just go to public school,'" White said. "I had just gotten a new amplifier in my bedroom, and I didn’t think I was allowed to take it with me." It would turn out to be a life-defining decision.

At fifteen, White began a three-year upholstery apprenticeship with a family friend, Brian Muldoon. After working in various shops, he started a one-man business of his own, called Third Man Upholstery. The slogan of his business was "Your Furniture's Not Dead" and the color scheme was yellow, white and black — including a yellow van, a yellow and black uniform and a yellow clipboard. While "Third Man Upholstery" never lacked business, White claims that it was not profitable, due to his complacency about money and his business practices that were perceived as unprofessional, including making bills out in crayon and writing poetry inside the furniture.

Musical equipment and sound

Jack White uses a number of effects to create his powerful live sound, most notably a Digitech whammy pedal to create the rapid modulations in pitch he uses in his solos.[14] The guitars he uses live are two 1964 JB Hutto Montgomery Airlines, a Harmony Rocket, a 1970s-era Crestwood Astral II, and a 1950s-era Kay Hollowbody. When playing with the Raconteurs, White usually plays a Gretsch Triple Jet guitar. In concert with an MXR Micro-Amp and Electro-Harmonix Big Muff Pi Distortion/Sustainer, White can produce a very distinctive sound. In 2005, for the single "Blue Orchid", White employed the use of a new Electro-Harmonix creation, the Polyphonic Octave Generator (POG). Similar to (but more versatile than) the Whammy pedal, the POG lets the user mix in several octave effects into one along with the dry signal. He plugs this setup into a 1970s Fender Twin Reverb and two 100-Watt Sears Silvertone 6x10 combo amplifiers.[15] Although unaffective to his signature tone, White places custom Analogman Tuner Mute boxes at three different positions on stage for instant, silent tuning.

White also produces a "fake" bass tone by playing the Kay Hollowbody and JB Hutto Montgomery Airline guitars through a Digitech Whammy pedal set to one octave down for a very thick, low, rumbling sound, which he uses most notably on the songs "Seven Nation Army" and "Hardest Button to Button".[14][16]

On occasion, White also plays other instruments, such as a Black Gibson F-Style mandolin ("Little Ghost"), piano (such as on "Denial Twist"), electric piano on such tracks as "The Air Near My Fingers" and "I'm Finding it Harder to be a Gentleman" in which he used a Rhodes Mark II stage piano. White also plays percussion instruments such as the marimba (as on "The Nurse"), drums, tambourine and ney. On Broken Boy Soldiers, he is credited as playing the album's synths and organ however bandmate Brendan Benson also recieved credit for these instruments and it is unclear who played on each song.

Career

White's initial professional music experience came in the early 1990s as a drummer for the Detroit country-punk band Goober and the Peas. This led to stints with various other bands such as The Go and The Upholsterers. Also, in addition to being his mentor and neighbor, Muldoon would play drums with White in late night jam sessions; informally, they called themselves Two Part Resin, although this was the exact same band as The Upholsterers.

Jack met Meg White in 1994, and they were married on September 21, 1996. Characteristically unorthodox, Jack took her last name. In July of 1997, the White Stripes made their first live appearance at the Gold Dollar in Detroit. In keeping live performances to three elements, Jack fulfilled guitar and vocal duties while she played drums. They later divorced in 2000 (before becoming nationally famous) but the band survived.

Starting out as an underground favorite in Detroit and other circles, the White Stripes came to international attention when, in 2001, British DJ John Peel raved of the band on his radio show. The buzz turned the White Stripes into a sensation in Britain, and the enthusiasm soon crossed over back to the United States. In a 2003 special issue, Rolling Stone named White the 17th greatest guitarist of all time.

The critical and popular success of the White Stripes opened up new opportunities for White. In 2003, he was well-received in the role of Georgia in the feature film Cold Mountain. He also performed several songs for the film's soundtrack (produced by T Bone Burnett) in a traditional acoustic style. Later in that same year, he appeared with Meg in one of the shorts comprising Jim Jarmusch's film Coffee and Cigarettes. Meanwhile, White produced Loretta Lynn's 2004 album Van Lear Rose, singing with her on the duet "Portland, Oregon." The album was released in April 2004 to massive critical acclaim, and earned five Grammy Awards nominations, going on to win both Best Country Album and Best Country Collaboration with Vocals for the duet.

In 2005, White recorded and produced the first 45 record for his former teacher Brian Muldoon's family project, The Muldoons. Muldoon's two sons, Hunter and Shane, front the trio.

As of 2006, White is touring following the release of The Raconteurs' (or the Saboteurs, as they are legally known in Australia) debut album Broken Boy Soldiers. Jack and Meg made a cameo appearance on the September 17, 2006 episode of The Simpsons in which Homer and Marge buy a drum kit for Bart and he becomes a jazz drummer, making Lisa jealous.

White is to work with Garbage vocalist Shirley Manson on a number of tracks for her debut solo album.

Personal life

White is known for his eccentric behavior, hobbies, and passions. He is, for instance, interested in taxidermy, an interest that sprung from his days in upholstering. White also has an obsession with the number three and all that it represents. His obsession with the number allegedly comes from when he looked at a three-legged stool at a Cracker Barrel in Murfreesboro, Tennessee.

As one of the White Stripes, White has also created some sensation on and off the stage. The band (when on official duty) dresses only in red, white, and black, which Jack believes are the three most powerful colors in the universe. Arguably, the greatest topic of intrigue has been the actual relationship between Jack and Meg. In early interviews, the pair presented themselves as siblings, two of ten. However, the Detroit Free Press famously produced copies of, not only their marriage licence, but divorce certificate, confirming their history as a married couple. Neither addresses the truth officially; however, over time, they have become less vocal about the origins of their relationship. Jack White has said, though, that siblings are "mated for life," and thus such relationships distract less from the music.

White unexpectedly married the model and singer Karen Elson (who appeared in the music video for the White Stripes song "Blue Orchid" directed by Floria Sigismondi) on June 1, 2005 in Manaus, Brazil, with manager Ian Montone as best man and Meg White as the maid of honor. Official wedding announcements stated that it was the first marriage for both. On May 2, 2006, the couple had a daughter, named Scarlett Teresa. She was born in Tennessee, where the couple recently bought a new home. The baby's surname is White. In 2006, it was revealed in the Sunday Times Rich List that White and Elson had a joint fortune of at least £20 million GBP (US$37 million). This ranked them at seventh place in the list of entertainers aged under 30 who were born or live in the United Kingdom, ahead of the likes of Orlando Bloom and Kate Winslet.

White gives few interviews and reveals few details of his private life. He states that he does not consider it relevant to his art, saying "It's the same thing as asking Michelangelo, 'What kind of shoes do you wear?'...In the end, it doesn't really matter ... the only thing that's going to be left is our records and photos."

Jack White

White's initial professional music experience came in the early 1990s as a drummer for the Detroit country-punk band Goober and the Peas. This led to stints with various other bands The Go, The Upholsterers, and Jack White and The Bricks. Also, in addition to being his mentor and neighbor, Muldoon would play drums with White in late night jam sessions; informally, they called themselves Two Part Resin.

Jack met Meg White in 1994, and they were married on September 21, 1996. Characteristically unorthodox, Jack took her last name. In July of 1997, the White Stripes made their first live appearance at the Gold Dollar in Detroit. In keeping live performances to three elements, Jack fulfilled guitar and vocal duties while she played drums. They later divorced in 2000 (before becoming nationally famous) but the band survived.

Starting out as an underground favorite in Detroit and other circles, the White Stripes came to international attention when, in 2001, British DJ John Peel raved of the band on his radio show. The buzz turned the White Stripes into a sensation in Britain, and the enthusiasm soon crossed the pond to the States. In a 2003 special issue, Rolling Stone named White the 17th greatest guitarist of all time.

The critical and popular success of the White Stripes opened up new opportunities for White. In 2003, he was well-received in the role of Georgia, the love interest of Renée Zellweger's character, in the feature film Cold Mountain. He also performed several songs for the film's soundtrack (produced by T Bone Burnett) in a traditional acoustic style. As a result of his involvement in the movie, he and Zellweger began dating, but broke up in 2004. Later in that same year, he appeared with Meg in one of the shorts comprising Jim Jarmusch's film Coffee and Cigarettes. Meanwhile, there had been buzz about a project in development, as White produced Loretta Lynn's 2004 album Van Lear Rose, singing with her on the duet "Portland, Oregon." The album was released in April 2004 to massive critical acclaim, and earned five Grammy Awards nominations, going on to win both Best Country Album and Best Country Collaboration with Vocals for the duet.

White made a surprise appearance with Bob Dylan during Dylan's performance in Detroit on March 17, 2004 during the second encore, performing the White Stripes song "Ball and Biscuit."

White has referred to The Stooges' 1970 album Fun House as "the greatest rock 'n' roll record ever made." As a result, he was invited by Rhino Records to contribute liner notes to the 2005 deluxe reissue of the album.

In 2005, White recorded and produced the first 45 record for his former teacher Brian Muldoon's family project, The Muldoons. Muldoon's two sons, ages 8 and 11, front the trio.

As of 2006, White is touring following the release of The Raconteurs' (or the Saboteurs, as they are legally known in Australia) debut album Broken Boy Soldiers. Jack and Meg made a cameo appearance on the September 17, 2006 episode of The Simpsons in which Homer and Marge buy a drum kit for Bart and he becomes a jazz drummer, making Lisa jealous.

White is to work with Garbage vocalist Shirley Manson on a number of tracks for her debut solo album.

Selected events

It is rumored in 2003 that White was featured on Electric Six's song "Danger! High Voltage." Initially both he and the Electric Six denied this, and the vocal work was credited officially to the unknown John S O'Leary. However, a recent radio interview with Tim Shaw on Kerrang! 105.2 in the UK had Electric Six lead singer Dick Valentine talking openly about White singing on this song as well as speculating on the amount of money he was paid ($60,000).

White was the subject of The Flaming Lips's song Thank You Jack White (For The Fiber-Optic Jesus That You Gave Me) released on their 2003 Fight Test EP.


White, following his arrest in 2003On December 13, 2003, White was involved in an altercation at The Magic Stick, a Detroit club, with Jason Stollsteimer, lead singer of the Von Bondies. He was charged with misdemeanor aggravated assault. He pleaded guilty, was fined $500 plus court costs, and was sentenced to take anger management courses.

White played bass on the song "Go It Alone" from the Beck album Guero. Beck, a friend of White's, appeared in the White Stripes video for "The Hardest Button to Button."

White made a surprise appearance with Bob Dylan during Dylan's performance in Detroit on March 17, 2004 during the second encore, performing the White Stripes song "Ball and Biscuit."

White has referred to The Stooges' 1970 album Fun House as "the greatest rock 'n' roll record ever made." As a result, he was invited by Rhino Records to contribute liner notes to the 2005 deluxe reissue of the album.

On November 7, 2005, it was widely reported that Jack White had changed his name to "Three Quid" (quid is British slang for pound sterling). However, most reports (e.g. Undercover.com,NME.com, and MTV.com) indicated that this would only last until the end of the tour. When asked about this in a UK radio interview, he claimed that "it's all a money thing....it's all about money."

In April 2006, a long-rumored and extremely low-profile Coca-Cola commercial debuted during the MTV Australia Video Music Awards, featuring the original song "Love is the Truth" that White wrote exclusively for Coke. As White generally advocates "brand-free music," it was a departure from this stance. In defense of his involvement, White stated, "I've been offered the opportunity to write a song in a way which interests me as a songwriter. I certainly wouldn't want a song that I'd already written to be used on a commercial. That seems strange." However, according to InTheNews.co.uk, the ad was only played once in the UK, late at night on Channel 4, and was available for only a short time at the Coke website.

The Raconteurs “Broken Boy Soldiers” (Album Review)

Jack White has taken - with reason - a lot of criticism recently. Not content with four great albums under his belt (including 2001’s ‘White Blood Cells’, which borders on near-classic status along with The Strokes’ debut album), winning a Grammy for the mindfuckingly memorable single ‘Seven Nation Army’, and headlining numerous festivals all over the world (including the prodigious Glastonbury in 2005), he then proceeds to ruin this seemingly upward trajectory with a shit 5th Stripes album (well, except for about three good tracks on ‘Get Behind Me Satan’) and, horror of horrors, does an advert for Coca-Cola. He justifies it by mentioning the red/white colour aesthetic that both the soft drinks brand and his band constantly use as a way to, err, earn both loads of cash as well as disappointed fans that viciously cry “sell-out”.

Although their music has been very enjoyable, the soaring popularity of the White Stripes has become synonymous with zany storytelling/publicity – what’s with the Michael Jackson look-alike contest? Has he met up with Jason from the Von Bondies for a make-up drink? And is Meg his sister, lover or ex-wife? And that’s exactly what a Raconteur is: someone who tells stories or anecdotes with wit and skill. And this debut album has both in full supply. Thankfully free from such zaniness (I blame it on Meg), Jack White’s new pet-project (with buddy Brendan Benson - the alt Ryan Adams - and a rhythm section comprising of Jack Lawrence and Patrick Keeler of The Greenhornes) hits you immediately with its surprising sense of being genuinely fun. This, naturally, eases some of the growing negativity towards White’s shenanigans over the past 2 or so years.

If you’ve not heard the ridiculously off-beat first single ‘Steady, As She Goes’, then take it from me – it’s a cracker in the same vein as all of the previous Stripes’ lead singles: ‘Dead Leaves and The Dirty Ground’, the aforementioned ‘Seven Nation Army’ and ‘Blue Orchid’. It doesn’t rely on an instantly hummable riff like these songs but, conversely, is all the better for it: going instead for the choppy guitar minimalism of Whites’ other band. The funny thing is that, although some of the album is very Stripes-esque, it also stands very well on its own, as a slower and more exacting psychedelic-sounding affair. ‘Broken Boy Soldiers’ thrives on its ability to provide catchy hooks and fetching melodies (the “oooh oooh” section 2 and a half minutes into ‘Hands’ for example), and I challenge anyone to not be singing ‘Girl, you got those hands…’ after a few days of listening to this song. In fact, most of the songs on the album are thunderously captivating, and the high standard of ‘Steady…’ never drops to anything less on the highly-enjoyable-meter. The nonsense lyrics of ‘Intimate Secretary’ sounds like the Eels attempting to do a George Harrison ‘Revolver’ composition, as does ‘Yellow Sun’, which will probably drive you mad with its addictive strumming and summery vibe: think of the hauntingly catchy Stripes single ‘My Doorbell’ but without the deliriously retarded lyrics.

The crunching guitar and White-sang duet (with himself) on ‘Level’ sounds like a mini ‘Ball and Biscuit’ and, coupled with the dejected hangover of ‘Call It A Day’, seems to consciously contrast to the general happy-go-lucky poppyness of the album. At a sparse 34 minutes, the album’s key is in its lack of filler. A couple of weeks ago I criticized Gnarls Barkley’s ‘St. Elsewhere’ because it was too short and, thus, seemed to run out of steam or, more tellingly, sounded more like a work-in-progress than a fully-finished album. Whilst roughly the same length, ‘Broken Boy Soldiers’ sounds more complete, more thought-through and, ultimately, all-the-more fun for it. I can’t wait to hear them live, because this album has restored my faith in Jack White completely. (By J. M. Ross.)